Once that miasmic mix of harpsichords and celestial brass clears, and that opening caveat is laid bare, we’re left with a heartbreakingly tender song of yearning, of devotion and of fidelity. The uncertainty of the first line (‘I may not always love you’) is a classic pop curveball, which works with the swooping transition from intro to verse. Three years later, Wilson and the Boys would surpass the master with a song that lifted the notion of the sophisticated love song clean into the heavens. In 1963, Brian Wilson was so obsessed with Phil Spector’s orchestral vision for the Ronettes’ ‘Be My Baby’ that he reportedly took to listening to it 100 times a day.
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